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11/4/22

By Jessica Weiss ’05

Professor of Cinema and Media Studies and French in the School of Languages, Literatures, and Cultures Caroline Eades has been awarded a prestigious Residency Fellowship at the Camargo Foundation in Cassis, France. Eades will spend the Spring 2023 semester at Camargo working on a project that examines the contributions of Habib Benglia, the first actor of African origin in French cinema. 

Born in 1895 in Algeria, Benglia moved to Paris in 1912 and quickly started an acting career in theater and cinema that lasted until 1960. Though he played in approximately 40 films, 50 plays and 30 musical shows, he remains little known by scholars and the general public. Like many other Black actors of the time, Benglia was often relegated to secondary roles in French “colonial cinema” (films produced in France during the colonial era) and was the target of racism.   

“I am very honored to receive this fellowship and feel very encouraged to pursue this project,” said Eades. “This project aims to restore Habib Benglia's place in the history of French cinema [and] I intend to reconstruct Benglia’s career through the encounters, the choices and the difficulties he faced in the film industry.” 

Eades previously contributed to the rediscovery of Alice Guy-Blaché, the first woman film director in France. After Guy-Blaché’s work was the subject of a 2009 film retrospective at the Whitney Museum in New York, Eades and Associate Professor of Russian and Film Studies Elizabeth Papazian organized a conference dedicated to her at the University of Maryland in conjunction with the National Gallery of Art. There have since been multiple publications, events and films about Guy-Blaché.  

Eades is beginning her research about Benglia this fall, visiting archives in Paris and Toulouse, France, as well as The Library of Congress, the National Archives and the archives of Twentieth Century Fox at UCLA to screen his films and access production documents, including scripts, production records and correspondence. At Camargo, she will be in residency with eight other fellows. She plans to devote time to writing a monograph on Benglia’s life and work.

Portrait of French-African actor Habib Benglia courtesy of Wikimedia Commons. Design by Jaye Nelson.

6/7/21

By Jessica Weiss ’05

Lisa W. Carney, who completed her Ph.D. in the Department of Spanish and Portuguese last year, has won a 2021 Charles A. Caramello Distinguished Dissertation Award for her dissertation that explored the stories told about dreams in Kichwa, a Quechuan language spoken in Ecuador. The annual award, given by the Graduate School, recognizes four students who defended their dissertation in the previous calendar year. 

Carney is currently a postdoctoral associate at the Latin American Studies Center and coordinator of the Dissertation Success Program at the Graduate School Writing Center. 

“It matters profoundly what stories we as a society pay attention to and whose voices we listen to,” Carney said. “It means a lot to me to have been able to support the ongoing efforts of Amazonian indigenous communities to have their languages and knowledge recognized and supported more broadly.” 

Carney holds a Bachelor of Arts in Spanish literature from Dartmouth College and a Master of Arts in Latin American literature and culture from the Ohio State University. While volunteering for a summer in Ecuador as an undergraduate, she heard Kichwa-speakers (who call themselves Runa) reference their dreams in decision-making processes. She was drawn to the narratives and storytelling techniques and set out to learn Kichwa to be able to dive deeper.

To research the topic, Carney made video recordings of Kichwa narrators as they told their dream stories, transcribed and translated the recordings and worked with a handful of Runa women to learn to interpret the stories.

Carney found that Runa tell the stories of their dreams when they learn something valuable from the dream experience. Her dissertation, “By the Authority of Dreams: Truth and Knowledge in Kichwa Muskuy Narratives,” explores the storytelling elements and their significance. 

“They use a range of performative techniques like gestures, vocal modulations and descriptive language to evoke imagery and emotion,” she said, “which is key to conveying their credibility as speakers and the authoritativeness of the knowledge they are sharing.” 

Carney’s larger research interests include indigenous cultural production, like narrative and song. 

Though researching and writing her dissertation was challenging, Carney said she was propelled by the collaborative nature of the work and the opportunity to recognize the artistry and knowledge of the Runa women she worked with. 

“I kept myself motivated by thinking of the collaborators who generously shared their knowledge and time with me in hopes of promoting their communities’ values,” she said.

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