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10/14/14

College Park residents and students at the city’s University of Maryland gathered Saturday to brainstorm a more pedestrian-friendly U.S. Route 1 – with music-filled gazebos, tree lined-sidewalks and a grocery store.

The Think-A-Thon meeting at the College Park Community Center yielded outlines, sketches, lists and a lot of notes as about 60 people — among them university staff and elected officials — sat down to find creative solutions to the challenges of Route 1.

In their discussions, attendees tried to address challenges such as too much traffic and a lack of independently-owned businesses, and tried to reimagine Route 1 as a space with more aesthetically-pleasing architecture, spaces for people to linger, art and music.

The event, organized by the Center for Synergy at the university’s college of Arts & Humanities, is modeled on previous Think-A-Thons held in Baltimore.

Read more here.

10/13/14

Members of this university and city community came together Saturday to offer ideas for the cultural and artistic redesign of Route 1 as part of a collaborative effort that aims to turn the city into a top-20 college town by 2020.

A group of about 40 people, consisting of university administrators, city officials, local artists, residents and students, gathered at the College Park Community Center for the afternoon to brainstorm ways the arts can be used to improve the city’s aesthetic appeal.

Popular ideas included open galleries and spaces for artists to display visual and verbal art, performance spaces and theaters, more parks and greenery and designated paths for bikers and pedestrians.

“We want to make life better for people who live here and work here and play here,” Mayor Andy Fellows said. ”In doing that, we’ll end up attracting people from different places, because with any cool community that has things to do, people from outside are going to want to come.”

To read more, please click here.

SQH room 1120
Tuesday, November 04, 2014 - 7:30 PM to 10:00 PM

November 4th : " The Wind Carpet"
"فرش باد"

12/11/13

TDPS

Congratulations to Professor Karen Bradley and TDPS students Christina Banalopoulou (Ph.D. student), Drew Barker (M.A. Theatre '13), and Kate Spanos (Ph.D. candidate), along with Sargoon Nepaul (dance and neuroscience undergraduate major) and Emma Sessions (kinesiology undergraduate major) on being awarded a Future of Information Alliance (FIA) - Deutsch seed grant for their project entitled "Re-imaging and Re-imagining Choreometrics."

Their interdisciplinary project is a collaboration between TDPS, Kinesiology, Neuroscience, and Library Sciences that will create a data set of dance videos from cultures and communities all over the world that were collected by ethnomusicologist Alan Lomax. These clips are now buried in the Library of Congress, and the team will partner with the Smithsonian Center for Folklife and Cultural Heritage and the Association for Cultural Equity in New York to access the films. Their goal is to digitize the video and then make it widely available to scholars and communities around the world through an online collaborative Wiki.

The team was awarded $25,000 to complete the first three months of groundwork for the project, which will feed into and enable them to meet their long-term goals. The project meets the priorities that are valued by the FIA-Deutsch program, including information equity, information literacy, culture, collaboration, information transfer and emergence.

by Karen Shih '09, Between The Columns

From writing to directing to acting, women are underrepresented in every area of theater production. A new initiative from the Big Ten Theatre Chairs aims to change that by commissioning, producing and publicizing up to five new women-written plays over the next five years.

“This is a very unique initiative. It’s about raising consciousness in order to represent the student population as well as the audience, both of which are mostly female,” says Leigh Wilson Smiley, director of the School of Theatre, Dance, and Performance Studies and a new member of the theatre chairs group. “We need to start to get the female voice 
out there.” 

The plays will not only be written by women but also feature substantial female roles. Naomi Iizuka of the University of San Diego, known for works reflecting her multicultural background, has been commissioned to write the first one. It will be ready for the 2014–15 season, and each Big Ten university will have the opportunity to perform it on a 
main stage or do a staged reading. It’s one way Maryland’s Big Ten membership is helping 
areas beyond athletics.

 “I’ll have partners across the country,” Smiley says. “This is a chance to influence the national conversation.”   

11/27/13

by Virginia Terhune, The Gazette

Nobel laureate Gao Xingjian, 73, will soon be flying in from Paris to attend an artist’s reception in his honor on Wednesday at the University of Maryland, College Park.

In 2000, Gao was the first Chinese-born writer to win the Nobel Prize for Literature for his plays, poetry, short stories and novels. But Gao is also globally known as an artist and avant-garde filmmaker. His brush-and-ink paintings and films are on display at The Art Gallery in UMD’s Art-Sociology Building through Dec. 20.

The exhibit of 27 paintings and three films, called “The Inner Landscape: The Paintings and Films of Gao Xingjian” is curated by Jason C. Kuo, a professor in the Department of Art History.

“There’s a lot of interest in his work around the world because he’s multi-faceted,” said Kuo. “He writes novels, short stories, essay and art theory.”

Gao and Kuo will give an informal talk and host a Q&A during the Wednesday reception. On hand will be translators fluent in Chinese and French who will interpret for Gao, who does not speak English.

On the afternoon of Dec. 5, Gao and Kuo will attend a stage reading and discussion of Gao’s plays at the Cafritz Foundation Theatre at the Clarice Smith Center for the Performing Arts on campus. The readings will be performed in English by students in the Globalization and Theatre class.

To read more, please click here.

11/19/13

by Shannon Gallagher, The Diamondback

John Lithgow’s experiences range from acting in the popular Showtime drama Dexter and voicing Shrek’s Lord Farquaad, to writing children’s books and winning a Tony for his performance on Broadway.

Last night, Lithgow, introduced by arts and humanities college Dean Bonnie Thornton Dill as a “master of storytelling,” spoke about his time in the entertainment world to an audience of students, faculty and staff at the Clarice Smith Performing Arts Center as part of the Arts & Humanities Dean’s Lecture Series.

Growing up, Lithgow said, he served as his younger sister’s “go-to babysitter and her chief source of entertainment,” a role that instilled the power of entertainment in him very early.

“Just like children, adults want to be transported, to be taken on a voyage of exploration far beyond the boundaries of the world they know,” he said. “They are hungry for the heart-swelling suspension of disbelief that comes so easily to children.”

An actor of remarkable versatility, Lithgow has since taken on a wide range of roles in comedy, tragedy and horror — both on the stage and in films — in works including NBC sitcom 3rd Rock From the Sun, Broadway musical Dirty Rotten Scoundrels and 1984 movie Footloose.

To read more, please click here
 
 

10/5/13

by Broadwayworld News Desk,  broadwayworld.com

The University of Maryland School of Theatre, Dance, and Performance Studies (TDPS) announced it will partner with the theatre departments of the Big Ten Conference schools to create a new playwriting and performance initiative. The group, known as the Big Ten Theatre Chairs plans to commission, produce and publicize as many as five new plays in an effort to influence the national dialogue about women playwrights and the sorts of scripts needed by university theatre programs for performing arts education.

The group plans to impact the dramatic underrepresentation of women playwrights in American theatre. In a recent study cited in the The New York Times, it was determined that of the 20,000 playwrights in the Dramatists Guild and on Doolee.com, an online database of playwrights, there were twice as many male playwrights as female ones, and that the men tended to be more prolific, turning out more plays. To draw attention to this imbalance and support greater gender diversity in the field, the Big Ten Theatre Chairs plan to commission women playwrights to write the initiative's first three plays.

The Big Ten Theatre Chairs also believe a need exists for a larger body of high-caliber plays with specific characteristics that make them effective tools for teaching theatre students. In response to this, they intend to commission the writing of plays that each feature up to eight roles, primarily for women actors, and predominantly for characters of an age that can be credibly played by college students.

To read more, please click here.

COLLEGE PARK, Md. – The University of Maryland School of Theatre, Dance, and Performance Studies(TDPS) is partnering with theatre departments at Big Ten Conference schools to create a new playwriting and performance initiative. The group, known as the Big Ten Theatre Chairs, plans to commission, produce and publicize as many as five new plays in an effort to influence the national dialogue about women playwrights and the sorts of scripts needed by university theatre programs for performing arts education.

The group plans to impact the dramatic underrepresentation of women playwrights in American theatre.  In a recent study cited in the The New York Times, it was determined that of the 20,000 playwrights in the Dramatists Guild and on Doolee.com, an online database of playwrights, there were twice as many male playwrights as female ones, and that the men tended to be more prolific, turning out more plays. To draw attention to this imbalance and support greater gender diversity in the field, the Big Ten Theatre Chairs plan to commission women playwrights to write the initiative’s first three plays.

The Big Ten Theatre Chairs also believe a need exists for a larger body of high-caliber plays with specific characteristics that make them effective tools for teaching theatre students.  In response to this, they intend to commission the writing of plays that each feature up to eight roles, primarily for women actors, and predominantly for characters of an age that can be credibly played by college students.

The program’s first commissioned dramatist, Naomi Iizuka, is one of the nation’s most acclaimed young authors and head of playwriting at University of California, San Diego’s Department of Theatre and Dance. Iizuka’s plays include 36 Views, Strike-Slip and Anon(ymous). Her work has been produced by the John F. Kennedy Center for the Performing Arts, Joseph Papp Public Theatre and the New York Shakespeare Festival Actors’ Theatre. She is the recipient of a PEN/Laura Pels Award, a Rockefeller Foundation MAP grant, an NEA/TCG Artist-in-Residence grant and Princeton University’s Hodder Fellowship. Her first draft of the commissioned work will be reviewed and discussed in October by the Big Ten Theatre Chairs in a meeting at Northwestern University.

“Iizuka is a generous and extremely collaborative artist,” said Leigh Wilson Smiley, director of TDPS.  “We are most excited to have this opportunity to support her creativity and enhance our students' experience with innovation through the development of a new play.”

A full draft of the new play will be completed by spring, 2014 and will be performed during the 2014-2015 season at one or more Big Ten schools.  The group plans to commission one play by a woman playwright each year for three years, and as the project progresses, will commit to additional years. If Iizuka's play is chosen for UMD’s TDPS 2014-2015 season, she will be invited to campus to workshop the play with TDPS students.

By Natalie Kornicks

The College of Arts and Humanities would like to congratulate Art History and Archaeology Professor Abby McEwen on receiving the 2013 Dedalus Foundation Senior Fellowship for her project, a book titled “Revolutionary Horizons: Art and Polemics in 1950s Cuba.” The fellowship includes a stipend of $30,000, the maximum amount of money awarded to a recipient.

“The fellowship is supporting final stages of work on my book manuscript,” McEwen said. “And the stipend will support a semester of research leave from the university (in Fall 2013), as well as travel to Miami and Havana.”

Her book, which she expects to complete by the end of the fellowship year, considers the emergence of abstract art in Havana and its promulgation within a radicalized cultural filed, circumscribed by the national discourse of cubanía and the Cold War ideological divide. Abstraction, both a physical form and an ideological platform, signaled new possibilities for art as a means of social and political transformation, and is the focus of McEwen’s research.

In addition to the Dedalus Senior Fellowship, her project has also been supported by grants and fellowships from the Metropolitan Museum of Art and the University of Maryland Graduate School.

The Dedalus Foundation’s Senior Fellowship program is intended to encourage and support critical and historical studies of modern art and modernism. Under this program, fellowships are awarded to writers and scholars who have demonstrated their abilities through previous accomplishments and who are not currently matriculated for academic degrees.

Congratulations again to Assistant Professor McEwen on receiving this prestigious fellowship! 

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