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Colin Phillips Video

In the sixth installment of the WORLDWISE Arts & Humanities Insights Videos, Professor Colin Phillips provides insights on how we seem to understand language so effortlessly even t...

Mary Helen Washington Video
2/27/13 - 7:00 PM

In the fourth installment of the WORLDWISE Arts & Humanities Insights Videos, Professor Mary Helen Washington provides insights into her research on "radical" expressions of race a...

Ahmad Karimi-Hakkak Video
1/22/13 - 7:00 PM

Professor Ahmad Karimi-Hakkak provides insights into his research on the multifaceted history of Persian literature.

Ruth Enid Zambrana Video

The second installment in the WORLDWISE Arts & Humanities Insights Video Series, Professor Zambrana provides insights into her research on mainstream thoughts about historically un...

Judith Hallett Video

An interview with UMD classics professor, Judith Hallett, about rediscovering Ancient Greeks and Romans and their impact on our modern lives. 
 

Congratulations to ARHU professors La Mar Jurelle Bruce, Julius B. Fleming Jr. and Christopher J. Bonner, who received fellowships for their research projects related to African-American literature, history and culture.

Bruce, Fleming and Bonner were part of an African-Americanist cluster hire, joining a community of scholars at the University of Maryland (UMD) that are at the forefront of the discussion on race and produce scholarship at the intersections of history, literature, gender studies and artistic expression. 

La Mar Jurelle Bruce, Assistant Professor in the Department of American Studies

La Marr Jurelle Bruce was awarded the 2016 Ford Foundation  Postdoctoral Fellowship, which is sponsored by the Ford Foundation and administered by the National Academies of Sciences, Engineering and Medicine. He is one of only 21 scholars to receive the postdoctoral fellowship in this year’s rigorous nationwide competition.

Bruce’s scholarship focuses on “blackness and feeling—that is, the phenomenological, affective, and erotic textures of black life across the diaspora,” Bruce said. “I am especially interested in how feeling informs, inspires, infuses, and sometimes inhibits black expressive cultures,” he added. At UMD, he teaches courses in Africana and American performance, literature, visual art and popular culture.

The fellowship will fund Bruce for the 2016-17 academic year while he completes his first book, “How to Go Mad without Losing Your Mind: Madness, Blackness, and Radical Creativity.” The book is a study of black artists who mobilize “madness” within radical performance and literature. Proposing a theory of madness that addresses its floating signification—and traverses its phenomenological, clinical, sociocultural, and political dimensions—Bruce confronts “the mad” in the work of Charles Mingus, Nina Simone, Amiri Baraka, Ntozake Shange, Patricia J. Williams, Lauryn Hill and Dave Chappelle, among others.

“African American artists have deployed ‘madness’ as content, methodology, metaphor, form, aesthetic and existential posture in an enduring black radical tradition,” Bruce said. “By ‘going mad,’ these artists also expose and convey the violence, chaos, strangeness, wonder, paradox, and danger—in short, the phenomenological madness—that infuses modernity’s racial drama.”

Bruce will be hosted by the Center for Africana Studies and the Department of Music at the University of Pennsylvania in Philadelphia. During his time there, he will be mentored by Guthrie Ramsey, Edmund J. and Louise W. Kahn Term Professor of Music at the University of Pennsylvania.

The Ford Foundation Fellowship Program awards pre-doctoral, dissertation, and postdoctoral scholarships to scholars who promote diversity in the academy.

Julius Fleming Jr., Assistant Professor in the Department of English

Julius Fleming Jr. was awarded a post-doctoral residential research and teaching fellowship at the Carter G. Woodson Institute at the University of Virginia, where he will be completing his first book manuscript, “Technologies of Liberation: Performance and the Art of Black Political Thought.” In addition, he will begin his second book project, which examines the intersections of race, medicine and capital in black performance and literature—19th century to the present.

Fleming specializes in twentieth and twenty-first century African diasporic literatures and cultures, with particular interests in performance, visual culture, sound studies, philosophy and medicine, particularly how they intersect with race, gender and sexuality. He was inspired to pursue his field of research when he was an undergraduate student at Tougaloo College, a private, historically black college in Central Mississippi that served as a bastion for civil rights activism. 

The Carter G. Woodson Institute at the University of Virginia funds residencies for scholars who specialize in the study of Africa and the African diaspora. Fleming will be part of the post-doctoral program that offers a two-year research and teaching fellowship.

 Christopher Bonner, Assistant Professor in the Department of History

Christopher Bonner was a 2015-16 recipient of the National Endowment for the Humanities (NEH) Post-Doctoral Fellowship at the Library Company of Philadelphia. The fellowship has enabled him to work on his current book project, “The Price of Citizenship: Black Protest, American Law, and the Shaping of Society, 1827-1868,” which examines the lives of free Africans who were working to define citizenship and secure rights in the decades before the Civil War.

Bonner chose to pursue the NEH fellowship in Philadelphia, a city that is considered a center for African American politics before the American Civil War broke out in 1789.

In his book project, Bonner poses questions about how people can change their government and about what black freedom means in a slaveholding society. His ultimate goal, Bonner says, is to shed light on the contributions of black activists before the end of slavery and their role in the creation of the Fourteenth Amendment, which is considered the foundation for citizenship and rights for the modern United States.

“I've been drawn to this work as a way of exploring the long history of struggles for civil rights in the United States,” Bonner said. “I'm also interested in understanding how black Americans have related to and worked to transform the structures of American law and government.”

The NEH Post-Doctoral Fellowship supports scholarship related to United States history and the Atlantic world from the 17th through the 19th centuries. It provides a monthly stipend and access to conduct research in residence at the Library Company of Philadelphia.

About the College of Arts and Humanities

The College of Arts and Humanities has made serious investments in African American culture and history, hiring faculty clusters in African American literature and history, adding to the strong community of African Americanist scholars already spread across the campus’s many colleges. The university is also home to important research centers such as the Consortium on Race, Gender, and Ethnicity and the David C. Driskell Center for the Study of the Visual Arts and Culture of African Americans and the African Diaspora.

 Through interdisciplinary collaborations led by the College of Arts and Humanities, UMD is also expanding the breadth of research possibilities in the fields of African American history, literature and culture, and the digital humanities. A new project co-directed by the Arts and Humanities Center for Synergy and the Maryland Institute for Technology in the Humanities (MITH)—“Synergies among Digital Humanities and African American History and Culture”—will utilize digital humanities to develop tools, methods and archives to address African American themed research questions.

COLLEGE PARK, MD -- A two-year, $517,000 grant from The Andrew W. Mellon Foundation will fund a project called “Documenting the Now: Supporting Scholarly Use and Preservation of Social Media Content.” Washington University in St. Louis, the Maryland Institute for Technology in the Humanities (MITH) at the University of Maryland and the University of California, Riverside, are collaborators on the project.

The project responds to the public’s use of social media for chronicling historically significant events as well as demand from scholars and archivists seeking a user-friendly means of collecting and preserving digital content.

As part of the project, the three institutions are developing DocNow, a cloud-ready, open-source application that will be used for collecting tweets and their associated metadata and Web content.

Twitter emerged as one of the most important channels of communication during the 2014 protests in Ferguson, Mo., when it served as a primary conduit for disseminating information. DocNow will be developed using tweets and Web content related to the events in Ferguson, resulting in a data set that can be used in research.

“The DocNow application will provide scholars with new ways of gathering and analyzing data from Twitter, which is a tremendous source of documentation on contemporary events,” said Chris Freeland, project co-principal investigator and associate university librarian at Washington University in St. Louis.

DocNow is among a growing number of applications that make social media datasets available for noncommercial, scholarly research. The app will be specifically designed to help authenticated users tap into Twitter streams to identify Web content that is of value for current and future research.

“We at MITH are honored to be partnering with Mellon, Washington University and the University of California to ensure that the documentary record around events such as the protests in Ferguson can be studied in an ethical, timely and cost-effective manner,” said Ed Summers co-principal investigator and technical lead on the project “I am specifically interested in the challenges of not only collecting and analyzing the data, but also packaging and archiving it for future use.”

Scholars on the project also seek to produce a white paper on ethical, copyright and access issues related to the collection of social media content.

Bergis Jules, co-principal investigator and community lead at the University of California, Riverside, hopes the DocNow project will be a catalyst for community building around the scholarly use and preservation of social media archives.

“Community building will be vitally important as we continue to develop standards and effective practices around the collection and access to this rich content, said Jules. “I’m excited The Mellon Foundation is supporting this project as it will be an important contribution to scholarship on social media archiving.”

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About the University of Maryland College Park

The University of Maryland is the state's flagship university and one of the nation's preeminent public research universities. A global leader in research, entrepreneurship and innovation, the university is home to more than 37,000 students, 9,000 faculty and staff, and 250 academic programs. Its faculty includes three Nobel laureates, two Pulitzer Prize winners, 49 members of the national academies and scores of Fulbright scholars. The institution has a $1.8 billion operating budget, secures $500 million annually in external research funding and recently completed a $1 billion fundraising campaign. For more information, visit www.umd.edu

About Washington University in St. Louis

Washington University in St. Louis was founded in 1853 as a non-denominational community of scholars and now ranks among the nation’s leaders in higher education. The university’s undergraduate, graduate and professional programs are highly regarded. Its libraries’ hold distinguished collections of rare books, manuscripts and that draw scholars from around the world. For more information about the university and its libraries, visit wustl.edu and libraries.wustl.edu.

About the University of California, Riverside

The University of California, Riverside is a doctoral research university, a living laboratory for groundbreaking exploration of issues critical to Inland Southern California, the state and communities around the world. Reflecting California's diverse culture, UCR's enrollment has exceeded 21,000 students. The campus opened a medical school in 2013 and has reached the heart of the Coachella Valley by way of the UCR Palm Desert Center. The campus has an annual statewide economic impact of more than $1 billion. A broadcast studio with fiber cable to the AT&T Hollywood hub is available for live or taped interviews. UCR also has ISDN for radio interviews. To learn more, call (951) UCR-NEWS.

Photos by Jamelle Bouie

COLLEGE PARK, Md. – A $225,000 grant from the National Endowment for the Humanities awarded to the College of Arts and Humanities at University of Maryland (UMD) and the Maryland Humanities Council will fund a series of public programs that are designed to explore the way citizens of Baltimore are thinking about the narratives that influence the life and identity of the city. Major partners will include the University of Maryland, Baltimore County’s Dresher Center for the Humanities, the Enoch Pratt Free Library and the Greater Baltimore Cultural Alliance

The initiative, Baltimore Stories: Narratives and the Life of an American City (Baltimore Stories), seeks to establish a model that utilizes humanities scholarship— literature, history, philosophy, communication, art and cultural studies—to produce print and digital materials that help frame and contextualize narratives of race in American cities. The project will also shine a spotlight on the ongoing, collaborative work being done in Baltimore neighborhoods by universities and non-profit organizations. 

“During the uprising, Baltimore residents had lively conversations about the stories that shape our perceptions of each other,” said Sheri Parks, co-project director of the initiative and associate dean for research and interdisciplinary programming in the College of Arts and Humanities at the University of Maryland. “We are elated to use this grant as a platform to continue these conversations.”

 The NEH announced yesterday $21.8 million in grants, including $3.6 million devoted to new “Humanities in the Public Square” grants that support community discussions on the relevance of the humanities to civic life.  

“We are honored to answer the call that NEH Chairman Adams issued earlier this year to use the humanities to ‘take up the grand challenges of our time,’” said Phoebe Stein, co-project director of the initiative and executive director of the Maryland Humanities Council. “The equity that needs to be created here in Baltimore, and across much of the nation, can begin with the humanities as they give us contexts for understanding and addressing this inequity and the narratives that undergird it. The humanities facilitate the conversations that can ultimately contribute to solutions.”

The idea for Baltimore Stories was born from UMD’s third annual Baltimore ThinkAThon, which was held April 30, 2015 in the midst of the Baltimore protests. Over 100 participants from the state’s major cultural institutions gathered to demonstrate the efficacy of humanities-based ideas and methods in the real world.  Many proposed projects centered on the way stories shaped the understanding of the protests, and narrative emerged as a central concern.

“Narrative or the collectives of stories we tell ourselves and each other is also a major focus of the humanities, so we hope to help citizens investigate and contextualize the past, present and future to uncover truths and move communities toward reconciliation,” said Parks.

ABOUT THE UNIVERSITY OF MARYLAND
The University of Maryland is the state's flagship university and one of the nation's preeminent public research universities. A global leader in research, entrepreneurship and innovation, the university is home to more than 37,000 students, 9,000 faculty and staff, and 250 academic programs. Its faculty includes three Nobel laureates, two Pulitzer Prize winners, 49 members of the national academies and scores of Fulbright scholars. The institution has a $1.8 billion operating budget, secures $500 million annually in external research funding and recently completed a $1 billion fundraising campaign. For more information, visit www.umd.edu.

ABOUT THE MARYLAND HUMANITIES COUNCIL
The Maryland Humanities Council is a statewide, educational nonprofit organization that creates and supports educational experiences in the humanities that inspire all Marylanders to embrace lifelong learning, exchange ideas openly, and enrich their communities. For more information, visit www.mdhc.org. The Maryland Humanities Council is supported in part by the National Endowment for the Humanities, the State of Maryland, and the William G. Baker, Jr. Memorial Fund, creator of the Baker Artist Awards.

ABOUT THE NATIONAL ENDOWMENT FOR THE HUMANITIES  
Created in 1965 as an independent federal agency, the National Endowment for the Humanities supports research and learning in history, literature, philosophy, and other areas of the humanities by funding selected, peer-reviewed proposals from around the nation. Additional information about the National Endowment for the Humanities and its grant programs is available at: www.neh.gov.

The following faculty have been selected as 2015-16 Foxworth Faculty. The grant will allow faculty to create and implement courses that utilize the arts and humanities to help contextualize and present pressing societal issues.

This initiative is made possible by the generosity of two college alumni, Domonique and Ashley Foxworth. Domonique, Class of 2004, is a graduate of American Studies and Ashley, ’06, is an English alumna. The Foxworth Initiative is intended to support learning that brings students in contact with their surrounding communities as partners and allies in practices that help transform and bring about social justice. Courses supported by the initiative provide students with skills and critical thinking that support continued community engagement beyond their college career. For more information, visit www.arhu.umd.edu/foxworth.

FOXWORTH FACULTY COHORT:

Faculty Lead: Karen Bradley, School of Theatre, Dance, and Performance Studies

Course: Essence, Identity, and Empowerment through the Arts: A Project for High Point High School

Social Issues: Adolescent identity, at risk youth

Approach: This course will focus on arts practices that develop habits of mind, heart and body/spirit in 14-25-year-olds. The primary purpose of this course is to train future arts educators for challenged students. These educators will learn to help students at risk of violence and anomie find voice and identity, and develop community through arts practices. UMD students will develop these skills in themselves and apply them to high school students at High Point High School. UMD students will design and lead arts experiences through methods, such as free drawing, acting exercises and slam poetry, while becoming advocates for arts integration in the school community.

Community Benefit: Students at High Point High School face issues of poverty, loss of community and identity, and oftentimes, trauma issues. UMD students will guide them toward access to focus, adaptability, a sense of self, self-efficacy and regulation skills, as well as organization, observation, analysis,, choice-making, predicting and communication skills via performance. In no way will every high school student achieve all of these, but they will be introduced to these concepts and experience practices that can lead to understanding and skill development. 

 

Faculty Lead: Audra Buck-Coleman, Department of Art

Courses: Advanced Graphic Design Principles: Design in Society and Three Dimensional Graphic Design

Social Issues: Adolescent identity, at-risk youth, social protest, structural racism and inequality

Approach: Over the course of two semesters, UMD senior graphic design students will collaborate with students from Augusta Fells Savage Institute of Visual Arts, a public high school in West Baltimore. Together they will leverage their creative skills to respond to the media’s negative and one-dimensional portrayal of the Baltimore students and their community during last year’s uprising. They will produce a series of creative works that promote positive, well-rounded notions of the students’ identities and the Baltimore community and that address the timeless and timely issues of structural racism, identity, unrest and self-agency as they relate to the Baltimore uprising. Their works will be exhibited at the Reginald F. Lewis Museum in Baltimore from April through August 2016, coinciding with the first anniversary of Freddie Gray’s death. The exhibition will include participatory elements to engage audiences and add their insights to these important conversations.

Community Benefit: Through their interactions, the high school students’ personal narratives and opinions will reshape UMD students’ understandings about identity, privilege and representation. The Baltimore students will be empowered on various levels: they will be given an opportunity and a means with which to re-write narratives about themselves and their community; they will understand how to use creative means as productive expression; they will also gain knowledge regarding artistic practices and contemporary technology with hopes that these exposures may positively affect the way in which they imagine their education or professional endeavors beyond high school.

 

Faculty Lead: Roberta Z. Lavine, School of Languages, Literatures, and Cultures

Course: Spanish for Health Professions

Social Issues: Cultural competence shortages in health professions

Approach: This course will allow students to explore the need for Spanish-English cultural and linguistic competency in health-related contexts. Students will partner with the Health Center to focus on outreach for Spanish-speaking dining services workers on campus. In class and in the outreach experience, students will examine and develop their own cultural competency by exploring identities, critically analyzing and solving problems, learning collaboratively and meaningfully interacting with members of other cultures. They will learn with and from the targeted campus community to develop strategies to advance culturally and linguistically appropriate health services on campus.

Community Benefit: The two tangible types of benefits to the clients are gaining health literacy and understanding how to maintain wellness, in culturally appropriate interactions that value and involve the workers themselves. In a respectful and participatory environment, the chances of client follow-through on health interventions are increased. UMD students will be able to explore and analyze their multiple identities and have real-world experiences working with Latino communities.

 

Faculty Lead: Jason Kuo, Department of Art History and Archaeology

Course: Aging and Creativity: Older Artists in Our Community

Social Issues: Ageism

Approach: This highly experiential and interdisciplinary course will engage students in the experience of the maturing artist through studying literature, attending guest lectures and conducting interviews and site-visits with older artists in the community. Interviews with selected artists will allow students to assist in documenting the artists’ life and art. These tasks will incorporate the disciplines of art history, gerontology and museum studies for students to ultimately shape an exhibition at the Brentwood Arts Exchange devoted to arts created by people over the age of 65. This will involve applying the research and experience from throughout the course to select the works, design the space, organize public programs and publish the exhibition catalog, brochures and wall labels.

Community Benefit: The contemporary art world focuses its attention on young emerging artists, creating difficulty for maturing artists to enter or re-enter public view. The goal of this course is to help their art become better recognized, documented, publicly exhibited and appreciated by our community. Research has demonstrated that community-based cultural programs for older adults are effective in health promotion, disease prevention and reduction in the need for long-term care. UMD students will benefit from the intergenerational interaction by gaining perspective of the ageist practices in the art world and the creative vitality that can be found in the maturing artist community.

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